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We’ve all seen red roses, blue irises, and yellow daffodils. But when we really look closely at a flower, whole new worlds of beauty and intricacy emerge. Using a unique process that far surpasses conventional macro photography, Robert Llewellyn shows us details that few of us have ever seen: the amazing architecture of stamens and pistils; the subtle shadings on a petal; the secret recesses of nectar tubes.

Complementing Llewellyn’s stunning photographs are Teri Dunn Chace’s lyrical, illuminating essays. By highlighting the features that distinguish twenty-eight of the most common families of flowering plants, Chace gives us fascinating insights into the natural history of flowers, such as the relationship between pollinators and floral form and color. At the same time she gives us a deeper appreciation of why and how flowers have become so deeply embedded in human culture.

Whether you’re a nature lover, a gardener, a photography buff, or someone who simply responds to the timeless beauty and variety of the floral world, Seeing Flowers will be a source of enduring delight.

• Sales Rank: #26572 in Books
• Brand: Brand: Timber Press
• Published on: 2013-09-24
• Original language: English
• Number of items: 1
• Dimensions: 10.31" h x 1.00" w x 8.88" l, 2.99 pounds
• Binding: Hardcover
• 304 pages

Features

• Used Book in Good Condition

Review

“Llewellyn stitches close-ups to reveal delicate depths—through his magic, there is a world in a daylily.” —Shelf Awareness

“Presents 343 blooms in such extraordinary detail that you feel you're glimpsing the garden from an insect's perspective.”�—Sunset

“Whirlwind tour of flowers, literature, and garden writing.” —The Horticult

“Looks at blooms in a way you probably never have.” —The Akron Beacon Journal�

From the Back Cover
Flowers are an essential part of our visual experience―their beguiling colors and shapes are why we plant them in our gardens and bring them into our homes. But there’s a whole other dimension to flowers that our eyes ordinarily can’t detect. This hidden world is what Seeing Flowers reveals. Through Robert Llewellyn’s dazzling, innovative photographs and Teri Dunn Chace’s engaging essays, we enter into a fantastic realm where petals become the walls of richly hued caves and pistils and stamens turn into bizarre, extravagant sculptures. Seeing Flowers opens the door to the wealth of beauty and information found in the familiar plants of our gardens, fields, and roadsides.

About the Author

Teri Dunn Chace is a writer and editor with more than thirty titles in publication, including Seeing Flowers (Timber Press, 2014), �How to Eradicate Invasive Plants (Timber Press, 2013) and The Anxious Gardener’s Book of Answers (Timber Press, 2012). She has also written and edited extensively for Horticulture, North American Gardener, Backyard Living, and Birds & Blooms. Raised in California and educated at Bard College in New York, Chace has gardened in a variety of climate zones and soil types, from inner city Portland, Oregon, to coastal Massachusetts. She now lives in a small upstate New York village with snowy winters and glorious summers.

Robert Llewellyn has been photographing plants and landscapes for almost forty years. His photographs have been featured in major art exhibits, and more than thirty books featuring his photography are in print. His 2007 book, Empires of the Forest: Jamestown and the Beginning of America, won five national awards in nonfiction and photography, and The Capital was an official diplomatic gift of the White House and State Department.

Most helpful customer reviews

28 of 28 people found the following review helpful.
Beautiful and well-written
By Carol J. Michel
I purchased this book when I saw the sub-title, "Discover the Hidden Life of Flowers". For anyone who wants to know more about flowering plant families and see some stunning photographs of flowers, get this book. The author writes about 28 different flowering plant families. Reading about each one is like talking to a family member who knows all about the rest of the family ~ who belongs in the family, who belonged once before but has been cast out, their quirks, their foibles, all kinds of interesting tidbits. The pictures are amazing, showing lots of details that we often miss, even when we are holding the flower in our hand. Even the captions for the photos contain great info and should not be skipped over. I think that gardeners of all levels of experience will find this book to be readable, enjoyable, and useful. Plant addicts should be warned that this book will definitely feed your addiction and you'll read about more plants that you want to have in your garden.

14 of 15 people found the following review helpful.
Beautiful, unique photography plus informative, interesting essays
By Leslie
We are surrounded by flowers. They are everywhere. We glance at them and marvel at their beauty but do we really see the complexity of each bloom? Seeing Flowers takes a close-up look at over 300 popular garden flowers, revealing detail rarely seen in photos.

I’d experienced Robert Llewellyn’s remarkable photography in Seeing Trees and expected the book to be mostly a glorious display of photography. I wasn’t expecting the wonderful, informative and interesting essays complimenting the photos, each written in an easy to read, breezy style. As a gardener I thought I would already know much of this information, but there is always much more to learn.

The beautiful, unique photography in this book must be seen to be appreciated. Each photo is composed of many small images shot at a different point of focus, then stitched together using special software to create incredibly sharp, detailed images.

The book is organized into 28 plant families and accompanying photos. We get an intimate look at the distinguishing features of the plants in each group. Along with the botanical details of each flower we are treated to quotes, tales, folklore and fascinating bites of information: Different ways plants are pollinated, how seeds are dispersed, what’s edible and what isn’t, and some interesting factoids. I knew the flowers of nightshades are poisonous and that tomatoes are in the nightshade family, but I didn’t know early Americans considered tomatoes themselves to be poisonous and wouldn’t eat them, or that a Loyalist chef tried to poison George Washington by preparing a meal using tomatoes.

Both factual and entertaining, this is a gorgeous book and a worthy addition to anyone’s bookshelf.

12 of 13 people found the following review helpful.
elegant blend
By Gregory Horne
This is a feast for the eyes and soul - an elegant blend of photos and text that kept me turning pages, and that's quite something for a non-gardener like me! This book will make a great gift for the family and friends who are.

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• Published on: 2008-01-01
• Binding: Paperback

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Annie and her friends are enjoying a lazy day by the lake when ominous dark clouds begin to form on the horizon. In the scramble to escape the storm, Annie realizes her cousin Gina has gone missing. After a fruitless search in the rain, the teens call the police for help. And as the hours tick by, Annie's fear for Gina's safety mounts. How could this have happened? Wasn't anyone watching her? Didn't anyone see?

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• Sales Rank: #145747 in Audible
• Published on: 2012-05-10
• Format: Unabridged
• Original language: English
• Running time: 252 minutes

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15 of 17 people found the following review helpful.
A great summer read
By I

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• Sales Rank: #79314 in Books
• Published on: 2015-01-16
• Original language: English
• Number of items: 1
• Dimensions: 10.80" h x .90" w x 8.50" l, .0 pounds
• Binding: Paperback
• 432 pages

About the Author

R. Wayne Mondy

I have always had a strong interest in business practices as evidenced by my many years of academic and professional experience. I believe that managing people is the crucial side of business because a firm’s human resources are the foundation on which everything is accomplished. Prior to entering academics, I had business experience with such companies as Peat, Marwick, Mitchell, and Co. (now KPMG), General Electric Corporation, Gulf South Research Institute, and Houston Data Center. In addition, I served in the U.S. Air Force as a management analysis officer. Several examples in your text relate to my business experience.

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I received my DBA from Louisiana Tech University and have enjoyed many years of teaching and administration, having served as professor, department head of the Department of Management & Marketing, and Dean of the College of Business. I have authored or co-authored seven college textbooks in a total of thirty-one editions, fifty-four articles, and twenty papers. The textbooks are Management: Concepts, Practices, and Skills (8th edition); Human Resource Management (14th edition); Personal Selling: Function, Theory and Practice (4th edition); Supervision (3rd edition); Management Concepts and Canadian Practices (2nd edition); Staffing the Contemporary Organization; and Management and Organizational Behavior. In addition to the 14th edition of Human Resource Management, the book has been translated into Spanish (Administracin de Recursos Humanos, Prentice Hall, 1997, 2001, and 2005), and Chinese (Prentice Hall, 1998, 2002, 2005, and 2011). A special 2008 two-part international edition of the 10th edition was prepared for India, Bangladesh, Bhutan, Pakistan, Nepal, Sri Lanka, and the Maldives. In addition, a Pearson International Edition was prepared for the 10th edition. A 2010 international edition was prepared for the 11th edition. Articles have been published in such journals as Business Journal, Journal of Education for Business, HR Magazine, and The Journal of Business Ethics.

�

I am also Life Certified as a Senior Professional in Human Resources (SPHR) by the Human Resource Certification Institute. During my career at various universities, I have had the opportunity to charter three student chapters of the Society for Human Resource Management. In one instance, about 20 students wanted to take the certification examination. I was excited about their enthusiasm until they informed me, “Dr. Mondy, you have to take it, too.” I have never studied so hard but we all were successful in achieving our objectives. That is how I received my SPHR designation–I earned it.

�

Joseph J. Martocchio

My interest in the human resource management field began while I was a junior at Babson College. I found myself wanting to practice in the field as well as to become a university professor and researcher. I pursued both professional desires by working at Cameron and Colby (a reinsurance company) in Boston and for General Electric’s Aerospace business group in Valley Forge, Pennsylvania.

I advanced my education in the HR field by earning a master’s degree and Ph.D. degree at Michigan State University. My master’s degree enabled me to build an even stronger foundation in practice and my doctoral degree provided me with the skills to conduct scholarly research and teach college-level courses. Since earning my graduate degrees, I have been a professor in the School of Labor and Employment Relations at the University of Illinois, Urbana—Champaign and assumed administrative roles as a Provost Fellow, Associate Dean for Academic Affairs, and Interim Dean. All the while, I have taught a variety of courses in the HR field. These include compensation systems, employee benefits, employment systems (HR and labor relations), HR planning and staffing, and statistics. For many years, I served as the faculty advisor to the student chapter of the Society for Human Resource Management at the University of Illinois during which time students earned Merit Awards and Superior Merit awards on multiple occasions.

�

As a researcher, I have studied a variety of topics that include employee absenteeism, employee training and development, compensation systems, employee benefits, and generational diversity. My work appears in leading scholarly journals such as Academy of Management Journal, Academy of Management Review, Journal of Applied Psychology, Journal of Management, and Personnel Psychology. I received the Ernest J. McCormick Award for Distinguished Early Career Contributions from the Society for Industrial and Organizational Psychology (SIOP), and I was subsequently elected as a Fellow in both the American Psychological Association and SIOP. Following the attainment of this recognition, I served as the Chair of the HR Division of the Academy of Management as well as in various other leadership roles within that organization.

�

Besides writing scholarly articles, I have two sole-authored textbooks: Strategic Compensation: A Human Resource Management Approach (Pearson Higher Education), which is in its 8th edition,and Employee Benefits: A Primer for Human Resource Professionals (McGraw-Hill),which is in its 5th edition. The compensation textbook was translated for use in China and India. Joining as a co-author on the 14th edition of Human Resource Management has been an exciting opportunity.

�

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Great for an HR Class
By Briana White
The book arrived in great condition and is exactly what I had hoped for. After thumbing through it, I was surprised to see how well written it is. I'm remarkably satisfied.

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I purchased this book for a class and I loved it! It gives great examples and lays things ...
By Annika Madison
I purchased this book for a class and I loved it! It gives great examples and lays things out so the normal person can understand!

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It was alot of reading but worth it.
By Tanisha
Interesting book! Helped me to pass my MBA course and I also gained insight into Human Resource Management from a strategic perspective.

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Volume 2 of a two-volume set. The cover does not look like the one in this picture, but it's close. It the right half of the image, with the girl.

• Sales Rank: #1226562 in Books
• Brand: Brand: McGraw-Hill Publishing Company
• Published on: 2009
• Number of items: 3
• Dimensions: 1.25" h x 8.50" w x 11.00" l,
• Binding: Hardcover
• 730 pages

Features

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[E991.Ebook] Fee Download Molecular Dynamics Simulations: Proceedings of the 13th Taniguchi Symposium Kashikojima, Japan, November 6-9, 1990 (Springer Series in Soli

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This volume contains papers presented at the Thirteenth Taniguchi Symposium on the Theory of Condensed Matter, which was held at Kashikojima (in Ise� Shima National Park), Japan, from 6th to 9th November, 1990. The topic of the symposium was Molecular Dynamics Simulations. The general objective of this series of the Taniguchi Symposia is to encour� age developing fields of great promise in condensed matter physics. Our theme, molecular dynamics (MD) simulations, certainly fulfills this requirement, be� cause the field is developing at a remarkable pace and its future is considered almost boundless. It was in the 1950s that the original idea of the MD methods was first pro� posed and applied to the study of physical systems composed of many particles. In fact, the invention of the MD techniques occurred soon after the construction of the first computers. For almost 35 years since then, MD methods, together with Monte Carlo methods, have played major parts in the drama of computer simulations. The triumph of MD simulations is not confined to numerical aspects of detailed analyses of physical systems. MD simulations have verified some un� expected facts and introduced some new concepts, all of which had never been predicted previously from analytical theories. The occurrence of the Alder tran� sition in a system of repulsive particles and the behavior of the long-time tails of the velocity autocorrelation function for a liquid are just two examples of the results achieved by means of MD studies.

• Sales Rank: #12519995 in Books
• Published on: 1992-04-27
• Original language: English
• Number of items: 1
• Dimensions: .0" h x .0" w x .0" l, .0 pounds
• Binding: Hardcover
• 257 pages

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• Sales Rank: #1152309 in Books
• Published on: 2005-05-27
• Released on: 2005-05-27
• Original language: English
• Number of items: 1
• Dimensions: 9.24" h x .97" w x 7.01" l, 1.52 pounds
• Binding: Paperback
• 352 pages

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A Speaker's Guide Book
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First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

• Sales Rank: #1228212 in Books
• Published on: 2004-03-07
• Released on: 2004-03-25
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x .69" w x 5.98" l, 1.07 pounds
• Binding: Paperback
• 304 pages

Review
Carroll is at his best (and that is very good indeed) when debunking and constructively criticizing the errors of others. . . . Indeed, his concluding essay is the best, most forceful and, indeed, biologically informed take-down of "spandrels" and the like that I have ever read. David Barash, University of Washington

Carroll's unswerving optimism is refreshing and lends a sense of inclusiveness and shared purpose to his work, all too rare in academic criticism. Tim Horvath, CogWeb

Literary Darwinism is a major work by a critic at the forefront of a developing paradigm . . . [that] requires the critics' thorough grounding in the biological and human sciences to do its important work. John Knapp, Interdisciplinary Literary Studies

"If you want to know what's going to be the next big topic in literary theory, read this powerful new collection of essays by the author of" Evolution and Literary Theory. In "Literary Darwinism Joseph Carroll argues that we should stop basing our view of literature on penseurs who have long been obsolete in their own fields, and listen instead to what modern science has to tell us about that forbidden topic human nature.
."
-Robin Headlam Wells, University of Surrey Roehampton
"A brilliant exposition of a new paradigm in literary criticism which, because it is among the first to bridge modern biology and the humanities, has a feel of permanence to it.
."
-Edward O. Wilson
"A series of clear-sighted and far-sighted views of early and modern literary critical and evolutionary thought, as seen from the high ridge Joseph Carroll has climbed to in the most promising new territory in literary studies.."
-Brian Boyd
"These authoritative writings of Joseph Carroll focus, update, and solidify the insights of his landmark work, Evolution and Literary Theory. Collected into one volume, they now can serve as a handbook for students, critics, and academics, an invaluable introduction to the general theory and concrete practice of Darwinian literary analysis.."
-Harold Fromm, co-editor of The Ecocriticism Reader
"Carroll's eye is that of an extremely perceptive literary critic. In fact, I would judge him to be one of the most acute and knowledgeable readers of fiction I've ever encountered."
-Denis Dutton, University of Canterbury, New Zealand, "Johns Hopkins University Press

About the Author
Joseph Carroll is Professor of English at the University of Missouri-St. Louis. He has published books on Matthew Arnold and Wallace Stevens. In Evolution and Literary Theory (1995) and in his subsequent writing, he has spearheaded the movement to integrate literary study with Darwinian psychology.

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23 of 28 people found the following review helpful.
Category Mistake
By D. S. Heersink
The human imagination is the fount of extraordinary creativity. "Flights of fancy" take us to places and ideas that only the mind can conceive, places where we create our own reality, if only for a time, a place where only "credibility" is a gauge, and often not even that. We've created more deities in our image than any single god can hold. We've traversed Aquinas's labyrinth of angelic worlds were no human has ever gone, and probably never will. Milton took us to Paradise, and explains how we lost it. Dante takes us through hell, purgatory, and back to Paradise. Marx's Utopia is a wonderlust of wishful aspirations and neurotic tensions. Freud's landscape of the psyche is unparalleled in its imagination, however false empirically. Borges takes us into places we can't get out, and we love the dead-ends. Science fiction takes us to worlds we want to explore without the constraints of our present limitations. It's all wonderful, delightful, provocative, and truly human. It's also fiction. We sometimes forget that.

The imaginative arts allow us "freedom" that the sciences, for example, limit. But that "freedom" is our window into ourselves, a projection of every possible nuance one can imagine. It allows us to create and fabricate all sorts of "alternative realities," explore different possibilities, stretch our limits, and go in directions that physics won't allow. Even those "worlds" that bear close resemblance to our own, such as Shakespeare's or Byron's, are still distant lands. We take a journey into realms only our imaginations understand. We must never lose this precious inheritance. But we also must not "confuse" it for the real. Nor try to "codify" it with overarching theories of interpretative hegemony. It remains a frontier that should not be reduced to ideology or the scientific method. That is both perversion and a "category mistake." It boxes-in that vestige of energy that must not be contained.

At first blush, literary Darwinism seems eminently sensible, using sociobiological insights of "life" itself to better understand our "creative lives." After all, we are humans first, and understanding our biological natures surely aids our understanding of each other, not the least of which is our own creative projects. With this level of approach, I have no cavil. It is clearly superior to the dogmatic Ivory Tower Drivel that has infected the Humanities over the past half century. Having "a foot on the ground" cannot but help bring our Humanities folk back to reality. But I cannot endorse a new "empirical" literary theory to replace the old ideological paradigm, however more sensible, because it just adds another template through which to force us through a sieve.

Being empirically-oriented myself, I cannot fault an English-literature professor suggesting we "re-impose" some reality in our literary theory. It's long been absent. Moreover, he's working in an environment hostile to such "realities," but his treatment is worse than the disease. He's advocating placing readers under imaging devices (e.g., fMRIs) to measure their responses to the literary experience, to tabulate the data, and show how it comports with all the other evolutionary work done in anthropology, biology, sociology, psychology, philosophy, etc. This is positively garrish, a project Darwin himself would find repugnant!

Let's situate Carroll in his predicament, and try to understand why he would make such an outlandish proposal. As a former Arnoldean, steeped in the Liberal Humanistic Tradition, he's convinced that only an appeal to "empiricism" will lift off the shackles of the Postmodernist Hegemon that dominates the Humanities. He's convinced that the "entrenched interests" will not budge otherwise, because it's their "bread and butter" to be contrarian, subversive, and radically irrational. He may be right. Certainly the English Departments in Anglo-American academies are a species of their own. And their ideological spue is toxic as well as dissonant. Asking why it persists, despite the onslaught of criticism from all other disciplines, only validates Carroll's point. It's entrenched.

But there is more. Carroll claims that the nexus of Marxism, Freudianism, and Deconstructionism creates a "whole" theory of the "world," arguably false, but complete. This claim needs to be taken seriously, even if I find it preposterous. Do these ideological flights of fancy really make a composite whole? Carroll insists the "nail" was sealed with Deconstructionism, which denies everything but "rhetoric," and then makes rhetoric so indeterminate, that all that is left is the assertion of the "will to power." Marxism and Freudianism just fill-in on the margins when anxieties get too tough. It's an interesting claim. And, if the claim is true, why? Why are English Departments exempt from substantiating their dogmas? No other academic discipline is "allowed" this latitude.

These questions need answers before we start forcing the "arts" through the "scientific" paradigm. Gilbert Ryle's famous phrase "category mistake" just screams at this indiscretion. And the "cure" is just as unsettling as the "sickness." Again, don't misunderstand me. Biological insights certainly enhance our understanding of imaginative works, because they both herald from "life" itself. Here we're on common ground. But "empiricizing" the imaginative arts should seem terribly dissonant, and "measuring" the aesthetic experience is fundamentally incoherent. Even if it could be done, why would we? To save the Humanities from itself? The prescription is worse than the problem.

Notwithstanding this broader reservation, Carroll's articulate, incisive, and well-crafted Humanistic scholarship blends with sociobiological facts and theory to produce one of the most sustained indictments of the impoverished Humanities and a compelling raison d'etre to look to proven sociobiological theory, coupled with Wilson's advocacy of "consilience" (unity of knowledge), to move Humanistic Study forward to a far more promising frontier. There's no looking back.

31 of 33 people found the following review helpful.
A Potentially Revolutionary Contribution
By Jonathan A. Gottschall
The various essays, articles and book reviews comprising Joseph Carroll's Literary Darwinism are rooted in two principles: first, humans share a common nature that can be revealed through the scientific method; second, this universal nature is the product of relentless Darwinian selection over eons. While this is obviously orthodox stuff in the world of behavioral biology, these notions remain quite heretical among the social constructivists who continue to dominate the world of literary studies. From Carroll's simple principles flow corollaries with large implications for literary studies and behavioral biology. The most important corollary for literary scholars is that a large proportion of all that has been said, written, or merely thought in the realm of literary theory and criticism over the last several decades is obviously and often breathtakingly wrong. This is because all of the dominant "poststructuralist" approaches--Lacanian, Foucauldian, Marxist, radical feminist, deconstructionist, and others--are organized around an adamantine core of social constructivist theory that is profoundly at odds both with Darwinian theory and with practical research in what Steven Pinker calls "the new sciences of human nature."

Carroll's argument is really quite simple. All literary criticism and theory is ultimately based on theories of human nature (even the theory that there is no such thing as human nature is a theory of human nature). Literary scholarship constructed on unsound theoretical foundations--on essentially faulty premises about human tendencies and potential--must itself be unsound, no matter how internally self-consistent. The chapters of Literary Darwinism articulate Carroll's vision of a foundation-up reorganization of literary studies along Darwinian lines. Carroll describes a Darwinian Literary Study where judgments about literary plots, characters, and themes are rooted in the bedrock of evolutionary theory, are disciplined by the findings of scientific research, and, when possible, are tested using scientific methods.

Literary scholars and evolutionists who are interested in the concept of consilience will also be interested in Literary Darwinism, which represents one of the most serious and sustained attempts to establish consilience between the humanities and behavioral biology-and to plumb its implications.

21 of 25 people found the following review helpful.
A new paradigm
By Stephen A. Haines
The greatest mind of the 19th Century, perhaps of any century, was that of Charles Darwin. If any mind of the 20th Century might be said to equal Darwin's it would be that of Edward Osborne Wilson. An entomologist, it was Wilson who demonstrated the implications of insect societies for human cultures. His ideas were first promulgated in his 1975 book "Sociobiology" and bore full fruit with "Consilience" in 1998. In "Consilience", Wilson proposed that, as humans were as much a part of Nature as any other creature, our behaviour traits, including the arts and literature, should be viewed in the light of evolution. Wilson demonstrated how the human spirit would be expanded, not diminished, by such a framework. The research ensuing since "Sociobiology" has affirmed Wilson's insight. How would such scenario apply to literature?

Joseph Carroll, a literary critic, incorporates Wilson's insights throughout this collection. Carroll argues that our outlook on the world would be expanded, not confined, by consciously applying Darwin's principles to our literature. Many authors, he notes, have done this through an intuitive sense. Jane Austen, hardly a Darwinian, still presented her characters fully integrated within their natural environment. Austen distinguished between which environments suited a character and which left the individual feeling displaced. For Carroll, this is an encouraging sign. Observant and astute writers can apply what he calls the "Darwinian paradigm", imparting a more natural and plausible foundation to fiction. He wants new writers to understand how to employ those principles from the outset. In this, Carroll is following where Wilson is pointing. The result, Carroll feels, will be an improved basis for literature's production and analysis.

Narrative itself, not only common to the human condition, but apparently necessary to it, reflects our ancestral past. As Wilson pointed out, human beings are a social, not a solitary, animal. Carroll's thesis furthers this idea by noting that narrative accounts are a means of identification within a community. Depicted human interactions must reflect that situation and be based on firm knowledge of Darwinian principles, not on assumptions nor sketchy awareness. He criticises authors who pay lip service to the "Darwinian paradigm" without truly understanding its tenets.

Carroll's thesis is based on what is known as "the Adapted Mind". Our mental states, whether in writing or reading, are derived from the long evolutionary path we've traversed. We aren't separated or "elevated" from it. Much of his attention is given to revealing the false notion of "poststructuralism" - that there are no "truths" [whether absolute or relative] and that authors have no intent in their writings, simply expression formed by local "culture". Darwin's idea, for example, could only have occured in Victorian Britain. Obviously, in such a framework, evolutionary roots have no role in composition, reading or criticism. It seems trite when Carroll writes "the subject matter of literature is human experience", but he feels we need to be reminded of that truth. Writing, he contends, must reflect that truism more forcefully than is often the case. Steps have already been taken, he notes. Such works as "Biopoetics" and "Homo Aestheticus" are indicators of a more realistic approach in fiction.

Carroll's three part collection - a view of the "literary landscape", theory and practical criticism, and assessments of Darwian biographers and critics, is a splendid example of how consilience works. He is opening a new frontier of both writing and reading, and is optimistic for its success. He stresses that a merger of the humanities and sciences, is not only desireable, but necessary. A better knowledge of ourselves must involve a better knowledge of our world. That can only be beneficial to all humanity and its habitat, using literature as a means. [stephen a. haines - Ottawa, Canada]

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• Sales Rank: #4613989 in Books
• Brand: Brand: Tab Books
• Published on: 1982-02
• Original language: English
• Binding: Paperback
• 181 pages

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