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The Only Ones, by Carola Dibbell
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O, The Oprah Magazine's Top 10 Favorite Books of 2015.
Washington Post Best Science Fiction & Fantasy Books of 2015.
"Fascinating... A heart-piercing tale of love, desire and acceptance. Readers will be mesmerized by Dibbell’s staccato prose as much as they are by the harrowing circumstances this mother and child must endure."
—Washington Post
"Breathtaking. [Dibbell has] delivered a debut novel on par with some of the best speculative fiction of the past 30 years; The Only Ones deserves to be shelved alongside Margaret Atwood's The Handmaid's Tale, Nalo Hopkinson's Brown Girl in the Ring, and P. D. James' The Children of Men. It's that good, and that important, and that heartbreakingly beautiful."
—NPR
"A genre-bending work of punk-rock science fiction."
—Nylon
"Densely written but swiftly told, this first novel from rock critic Dibbell starts out as literary dystopia and ends up as a deft study of human identity, desperation, and longing."
—Library Journal
"A well-known rock critic, Dibbell infuses her debut novel with the stylistic grace of a seasoned writer."
—Time Out New York
"On the other side of Aldous Huxley's brave new world is Carola Dibbell's braver one, all the more unsettling (and maybe even more profound) for being not five hundred years from now but five minutes, in a time at once beyond our control and too immediate to escape. Brilliantly conceived, passionately defiant, deeply felt, The Only Ones introduces — in the form of central character Inez Fardo — one of the most memorable and compelling first-person voices in recent American fiction."
—Steve Erickson
"A bracing, tough minded, farsighted novel about bravery and endurance, motherhood and the way life goes on even after the world ends. Every sentence pierces."
—Kelly Link
Inez wanders a post-pandemic world, strangely immune to disease, making her living by volunteering as a test subject. She is hired to provide genetic material to a grief-stricken, affluent mother, who lost all four of her daughters within four short weeks. This experimental genetic work is policed by a hazy network of governmental ethics committees, and threatened by the Knights of Life, religious zealots who raze the rural farms where much of this experimentation is done.
When the mother backs out at the last minute, Inez is left responsible for the product, which in this case is a baby girl, Ani. Inez must protect Ani, who is a scientific breakthrough, keeping her alive, dodging authorities and religious fanatics, and trying to provide Ani with the childhood that Inez never had, which means a stable home and an education.
With a stylish voice influenced by years of music writing, The Only Ones is a time-old story, tender and iconic, about how much we love our children, however they come, as well as a sly commentary on class, politics, and the complexities of reproductive technology.
Carola Dibbell is a highly regarded rock critic whose fiction has appeared in the New Yorker, the Paris Review, Fence, and Black Clock. Writing about books as well as music, Dibbell was a Village Voice contributor for many years. The Only Ones is her debut novel.
- Sales Rank: #386793 in Books
- Published on: 2015-03-10
- Format: Deckle Edge
- Original language: English
- Number of items: 1
- Dimensions: 7.50" h x 1.30" w x 5.50" l, 1.12 pounds
- Binding: Paperback
- 344 pages
About the Author
Carola Dibbell has had fiction appear in The New Yorker, The Paris Review, Fence, and Black Clock. For thirty years, Dibbell wrote for the Village Voice, predominantly about music.
Most helpful customer reviews
16 of 21 people found the following review helpful.
Had a hard time finishing it which never usually happens with any book I read
By KiwiLA
Yes, I didn't enjoy this book whatsoever. I'm probably the only one who thinks this as it is getting fantastic reviews and the book clubs are trending with it. I bought it as I enjoy the post apocalyptic/pandemic genre. Unfortunately I found it dull to read, the first person hip hop vernacular was constantly grating, the characters weren't fleshed out enough and the setting simply empty. There was no descriptive prose so you didn't know what the characters or their worlds looked like, nor the things in it. Like reading the inside of an empty tin can - rounded but empty.
6 of 7 people found the following review helpful.
Not easy to read but worth it
By L. Jackson
This was not an easy book to read; as other reviewers have pointed out, the first person narrator is at times irritating and there is not a whole lot of description of settings etc. However, those are the things that made it interesting to me; I had to make it come to life myself and it did.
9 of 11 people found the following review helpful.
Wonderfully Written Narrator; A Fascinating and Enriching Read
By D. Olda
Despite the future dystopic world of The Only Ones, there is something deeply familiar about much in the book. To be sure, issues addressed in the The Only Ones are timely and poignant. However, it’s the voice of the narrator Inez (or simply I) that made such a strong connection with me.
The world of The Only Ones seems perpetually stricken with one pandemic after another. Queens, New York, where Inez lives, is as decimated by sickness as the efforts to wipe it out. Inez is an anomaly, seemingly immune to every disease she encounters. In an effort to make a living she is drawn into shady genetic experimentation. Through a series of events she is unexpectedly left with an infant, a clone of herself, and must raise her.
Author Carola Dibbell conveys the constant anxieties of parenthood, of being poor, of physical objectification and general physical angst through Inez with such clarity it is almost uncomfortably familiar at times. The book is a fascinating read for issues such as ethics in cloning and genetics. But its enriching in the way it addresses poverty, motherhood, and more.
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