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A vivid self-portrait in words of one of the great American
artists of the twentieth century. Designed to appeal to Gorey lovers as well as
those seeking an introduction to his work, Ascending Peculiarity includes reproductions of previously unpublished drawings and photographs. Edited by Karen Wilkin.
Edward Gorey's extraordinary and disconcerting books are avidly sought and treasured throughout the world, but until now little has been known about the man himself. While he was notoriously protective of his privacy, Gorey did grant dozens of interviews over the course of his life. And as the conversations collected in this book demonstrate, he proved to be unfailingly charming, gracious, and fascinating.
Here is Gorey in his own words, ruminating on everything from French symbolist poetry to soap operas, from George Balanchine and the unique beauty of ballet to Victorian photographs of dead children. We meet the artist in his ramshackle book-lined studio in Manhattan and his equally bizarre house on Cape Cod. We listen as he describes his legendary upbringing and vast range of influences, as well as how he managed to work amid all his cats.
- Sales Rank: #1083657 in Books
- Published on: 2001-10-09
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 1.03" h x 7.32" w x 9.26" l,
- Binding: Hardcover
- 292 pages
From Publishers Weekly
Will Gorey's curious Victorian households scenes of disconcerting, dastardly deeds and "crypto-Edwardian" characters fade into obscurity with his death? Not a chance. Cultish popularity has yielded to international fascination with this fecund author-artist's carefully crosshatched drawings, quaint enchiridions and fey fiction. Curator/art critic Wilkin expands on The World of Edward Gorey (1996), which she coauthored, with this illustrated collection of 21 interviews that reveal Gorey's interests, foibles and habits. Gorey (1925-2001) studied at the Art Institute of Chicago, was drafted in 1943 (training in Utah, he began his writing career with "unpresentable... closet dramas") and majored in French at Harvard. He initially published his books through his own Fantod Press. More than 100 titles followed The Unstrung Harp (1953), and his readership expanded in 1972 with the first of the Amphigorey anthologies. Interviews culled from magazines (Cats, Dance, Vanity Fair), newspapers, NPR and TV (Dick Cavett) reveal Gorey's cultural influences and inspirations (cats, crime narratives, Louis Feuillade, Buster Keaton, the New York City Ballet, Ivy Compton-Burnett) along with minutiae and insights into his erudite, eccentric humor. Best of all, readers glimpse Gorey's creative processes: the texts almost always preceded the drawings, for instance. On his work he was characteristically irreverent: "I get a certain enjoyment out of doing it; but after it's done, I have no feeling for it at all." Stephen Schiff's 1992 "Edward Gorey and the Tao of Nonsense" (from the New Yorker) provides an outstanding overview. This is an exhilarating excursion into an extraordinary imagination (with numerous artistic tips and resources). 8 photos, 150 drawings. (Oct.)Forecast: National publicity and advertising, especially around the holidays, and counter displays will grab fans and gift givers.
Copyright 2001 Cahners Business Information, Inc.
From School Library Journal
Gorey in his own words, taken from the interviews he gave over time.
Copyright 2001 Reed Business Information, Inc.
From Library Journal
It's very possible that the only thing more peculiar and arresting than Edward Gorey's books and illustrations is Gorey himself. This collection of chronologically arranged interviews with Gorey (1925-99) spans three decades and shines light into many corners of his eccentric life and work. Gorey ponders his own bizarre dress (floor-length fur coats and sneakers), his obsession with the New York City Ballet, and his life with six cats and even manages to delve into some of the inspirations that fuel his enigmatic and strangely endearing work. This assembly by Wilkin (an art historian, independent curator, and critic, as well as coauthor of The World of Edward Gorey) reveals a charming, extremely intelligent, articulate, and eminently likable artist and writer. A thoughtful self-portrait thus emerges from the mist of questions and answers, one that helps to counter the paucity of recent Gorey scholarship. Gorey's own words clarify his peculiar and macabre worldview more succinctly than any biographer could hope to. Recommended for public and academic libraries.
- Kraig Binkowski, Delaware Art Museum, Wilmington
Copyright 2001 Reed Business Information, Inc.
Most helpful customer reviews
0 of 0 people found the following review helpful.
This book sounds like a great idea
By K McNeal
I am an Edward Gorey Fan. This book sounds like a great idea. It is a set of interviews from 1973 to 1999. And here lies both the strength and the weakness of this type of book. Each interviewer has his or her own line of questions for Gorey’s and each publication has its own focus on him (and it may have nothing to do with his art). Also an interview in 1973 cannot cover where his talents and interests may have lead by 1995. In the interviews we find Gorey’s obsession for the performances of the New York City Ballet, the authors he loves, the artists who may have influenced his work plus his life with cats. That is the strength of the book. Here is the weakness: many of the interviewers repeat the same questions. Gorey’s answers do not change and he provides the same story surrounding the subject. It does not take long before you feel like you could have taken the interview for him since you just learned the answers three times over. This is a collection of interviews and it works with that purpose in mind.
There are things in the book I did not know about Edward Gorey – he liked the television programs Dallas and Dr. Who. He was a precocious two year old and was known for his peculiar attire even in his Harvard days.
0 of 0 people found the following review helpful.
Irrisistible peculiarity
By rufous
Wish I could give all my friends a copy for they would be charmed by Edward Gorey the person as he reveals himself in several interviews, and by Edward Gorey the artist as revealed by his drawings and several articles describing the man and his work. He is an original gifted with a fresh and open outlook on life. His comments can be honestly direct and disarming, yet there's always an element of the unexpected, the askew, and droll as though he had a special once-removed lens through which he viewed, considered, and depicted the world. He has created an absurdist world inhabited by unmistakably Goreyan-Edwardian characters in formal attire caught in silent poses with blank, deadpan looks unaware of impending catastrophe.
Absolutely love him and his work for I'm a sucker for asymmetrical lives, odd or macabre juxtapositions, and lyrical line....his line.
0 of 0 people found the following review helpful.
Too much repetition = boring
By Lisa
I ended up quite bored with the repetitive sameness of the information; meaning if Gorey was doing an interview he said xyz and in another interview he again said xyz etc etc. I did like maybe two of the included magazine articles on him.
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